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Sabtu, 17 Maret 2012

Ebook Joyriding in Riyadh: Oil, Urbanism, and Road Revolt (Cambridge Middle East Studies)

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Review

"Good anthropologists aim to enter into the minds of their subjects, sharing their lifestyle, acquiring their language, studying their moods and responses but always maintaining an objective self-awareness. Pascal Menoret is better than good." The Economist"An excellent ethnography of youth culture in Saudi Arabia that unpacks the connections between the social practice of joyriding as a form of political dissent with the questions of oil, urbanism, and power. It provides new insight into the categories of masculinity and gender in the Middle Eastern context and the spatial politics of the Saudi state. This work contributes to a growing body of critical scholarship ... Joyriding in Riyadh is an excellent and scholarly work that makes a valuable contribution to the field of Middle East Studies. It will appeal to anyone that has an interest in youth culture, urban and gender studies, urban history, and anthropology of the Middle East. Moreover, the book can be assigned to classes on Middle Eastern politics, Arab Uprisings, or any course that deals with the issues of social violence and economic inequality in a comparative or global framework." Feras Klenk, Middle East Media and Book Reviews Online"Menoret has written one of the best books on contemporary Saudi Arabia. I applaud the author's bravery in undertaking fieldwork among violent, repressed, and disenfranchised young men in the kingdom during the years of the War on Terror. He elegantly combines an intimate portrayal of Saudi male youth culture with a profound analysis of the national and global networks of government, business, and expertise that gave rise to joyriding." Jörg Matthias Determann, American Historical Review"This is an insightful, important and unique book. It is extremely readable and will be accessible to students of all levels, as well as others inside and outside academia with an interest in the Gulf, urban history and politics, and gender and sexuality in the Middle East." Michael Farquhar, LSE Middle East Centre Blog (blogs.lse.ac.uk/mec)

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Book Description

Why do young Saudis, night after night, joyride and skid cars on Riyadh's avenues? Who are those "drifters" who defy public order and private property? Based on four years of fieldwork, Joyriding in Riyadh explores the history and social fabric of Riyadh, as well as that of Saudi Arabia. For young rural migrants, car drifting is a way to reclaim threatening urban spaces. It is now the target of a nationwide police crackdown. The book shows that, far from being a marginal event, car drifting is embedded in Saudi Arabia's social violence and economic inequality.

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Product details

Series: Cambridge Middle East Studies (Book 45)

Paperback: 268 pages

Publisher: Cambridge University Press (April 21, 2014)

Language: English

ISBN-10: 1107641950

ISBN-13: 978-1107641952

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#347,999 in Books (See Top 100 in Books)

In her recent video, the Londonese singer M.I.A. mixes car high-speed stunts in the Arabian desert and “Bad Girls” dressed in leopard bodysuits veiling their faces with only the eyes showing, dancing on the beat. At some point M.I.A. files her nails whilst leaning out the window of a car driving on its two side tires. She was inspired by the videos on Youtube showing Arab men in sedans doing crazy stunts in the desert—from drifting through traffic to changing a tyre while a truck is tilted on two wheels or skating on their shoes while standing outside of the passenger door with the car running at full speed. Two-wheel driving, cars rotating to perform a doughnut clouded in rubber smoke, front-wheel-drive cars drifting through traffic and passengers dancing out the car at highway speed: these images of Gulf states’ subculture have recently gone viral, and are now associated with the term “Arab drifting.” The video director Romain Gavras explains he wanted to feature many Arabian clichés—oil barrels burning in the desert, running horses, men in white dashadeesh standing on roadside water pipes, veiled women in luxury brand outfits, while also insisting on the federative aspects of car drifting that straddle gender and age boundaries. Other commentators also pointed out the intended support for women fighting for the right to drive in Saudi Arabia. Whether these stereotypes about Arab men and women can be empowering or not remains an open question. But the clip is fun to watch, and is a success even in the U.S. while presenting Arab men and women in a positive manner.Pascal Menoret’s book is titled like a music video or a magazine article, but it isn’t. It is an anthropological essay that grew out of a PhD dissertation, although it covers different material and with a different angle. The author wrote his doctoral thesis on the politicization of youth in Saudi Arabia, a timely subject that matched the priorities of the French public agencies that supported his fieldwork with a research grant. Social science research is based on objective facts and detached observation, and the ethnographer seldom intervenes in the text. By contrast, Joyriding in Riyadh is an essay in reflexive anthropology that makes explicit the position of the ethnographer as a French doctoral student in contemporary Saudi Arabia. It was inspired by the book Yemen Chronicles, that Pascal Menoret once wanted to transform into a graphic novel. Like in Yemen Chronicles, the author gets entangled in various political plots, and the end product of his research is far away from his original plan. The book does not only deal with joyriding; in fact, the author had very few occasions to observe car drifting rallies firsthand or to discuss with joyriders. But he takes this form of juvenile delinquency as an entry point into youth culture, urban planning, uneven development, and political expression.Pascal Menoret’s main thesis is that in Saudi Arabia today road violence is a form of political violence. By this, he first means that Saudi Arabian young men, particularly the Bedouins uprooted from their land and brought up in Riyadh’s suburbs, are venting their frustration and anger on the road because they are prevented to express any other form of political protest. As Menoret highlights, “Joyriding is not only a thriving subculture, but also a way of confronting the state in its most basic operations: managing public spaces, protecting private property, and enforcing the law.” The only way to manifest political opposition in Saudi Arabia is through radical religious discourse or through road delinquency. Both ways are profoundly nihilistic: the politics of opposing the Saudi state is a politics of death. The young Bedouins described by Menoret are modern rebels without a cause, and their revolt should sound familiar to many Americans and Westerners who would not otherwise relate to their plight. Indeed, the videos of car drifting and improvised stunts have become a global hit on Youtube, and they are viewed by people who have otherwise no contact with, and very little knowledge of, Saudi Arabia. Menoret brings Saudi Arabia close to home: “by bringing Riyadh back into the mainstream of dysfunctional urban societies, it shows the deceptive ordinariness of Saudi Arabia.”But there is a deeper meaning in the author’s identification of road violence with political violence. Violence is not only something that people do—it is also the constraints and limitations that prevent them to live meaningful lives. A prison is a violent institution, even though physical violence is banned from day-to-day interactions. In Saudi Arabia, the system formed by roads, public infrastructures, and the reliance on the automobile inflicts a kind of structural violence on individuals. Roads and cars are dehumanizing: they turn human beings into mere cogs in a disciplinary mechanism that generate a state of apathy and depoliticization. This violence is not only abstract: it leads to the highest number of deaths on the road in the world. Nature is being violated: the kind of development fueled by oil money and imitative of American suburban life is clearly not sustainable. Road violence is also a form of violence against women: in Saudi Arabia, only men are allowed to drive, and the movement of women is severely constrained by an urban environment in which cars are the only means of transportation.There are many ways in which car traffic is being politicized. Urban planning has created an environment where families and individuals live scattered in individual houses and small apartment buildings, far away from each other but under the surveillance of the state. Real estate is in the hands of senior princes and rich families who build roads to nowhere on empty lands waiting for developers and contractors. Menoret links these local developments to global network of expertise, capital and power. Based on archival work, he shows how Riyadh’s extension was planned by a Greek architect, Constantinos Doxiadis, with the support of SCET International, a French public company, and other international experts. From the 1970s onward, individual villas financed by government loans and individual cars running on public roads would be generalized to the whole city of Riyadh. Rural migrants and Bedouin slum dwellers were relegated to distant suburbs, while foreign labor migrants occupied a deserted and dilapidated inner city. The real estate market became a way to get rich fast, and the old tribal ethics based on honor, pride and generosity were replaced by ambition and greed. The car-centered suburbia fueled despair (tufush) and generated economic and social segregation. As the author puts it, “joyriding was the tree that hid the forest of social despair and urban dereliction, the tip of an iceberg of poverty and violence that was rarely reported on.”Joyriding in Riyadh offers a rich description of Saudi youth subculture, with its celebration of an aggressive masculinity, of violence against boys, against society, and against the self. It also illustrates the vitality of French social science. This book could only have been written by a Frenchman. Or to be precise, it could never have been written by an American. Negotiating access to the field and establishing contacts with informants was hard enough for a Frenchman: he was always suspected of being a spy for the Saudi police or an agent for the French secret service. Friends, interviewees, and informants constantly reminded him of his position: that of a French doctoral student doing fieldwork in Saudi Arabia during the US-led war on terror. He could only establish a relationship with prospective informants through perseverance, people’s skills, and sheer luck. Interviewing young religious activists on their political opinions or observing gatherings of car drifters was hard enough for him: it would have been practically impossible for an American to research such a politically loaded topic.Access to the field determines in a large part the type of research being conducted. Many American anthropologists gained their first experience in a developing country through service in the Peace Corps. Paul Menoret first came to Saudi Arabia as a young teacher taking opportunity to serve as a “coopérant” abroad instead of doing his (by then compulsory) military service back home. His resolution to write a philosophy thesis on Hegel’s Philosophy of Religion didn’t last long. Instead he learned Arabic and the local Bedouin dialect and then, having to return home, he enrolled in a PhD program in social science. He came back as a doctoral student under French government sponsorship and affiliated to a social science research center in Sanaa, also supported by France. Ashe recalls, “my decision to study the politicization of youth was congruent with the preoccupation of the French Foreign Office, which granted me a doctoral scholarship and a rare four-year research visa to Saudi Arabia.” He maintained close contacts with the cultural section of the French embassy in Riyadh, which by the end of his stay led to a curious episode in which he was informed by the French ambassador that Saudi authorities were to expel him from the country—but then nothing happened, and he stayed in Riyadh for six more months.As the author recalls, “it took a long time for the question of urban space, surveillance, and car drifting to emerge as central for my research.” His first impulse was to write an ethnographic study of a rural Bedouin community in the Upper Najd region. Through a friend he attends a wedding in a village where he plans to do longer fieldwork in order to study local Islamic groups and the relation between youth and their parents. As he notes, “the village not only harbored colorful figures…, it also seemed perfectly suited for a study of youth, religion, activism, and intergenerational politics.” The village is divided between loyalists, islamists and jihadists, and the anthropologist’s presence raises tensions that force him to leave the site after only two days. The urban environment is more secure, but raises other challenges for the anthropologist. There are very few public spaces or venues where people can discuss their opinions. Young men gather in small, informal groups called shilal that meet in a rest house or apartment, away from the gaze of the repressive state. Islamic groups are even harder to approach for the author, who is often pressed by his interlocutors to convert to Islam or otherwise suspected of being an informer for the secret police. As he recalls, “meetings were canceled at the last minute, phone calls were left unanswered, and promises were broken on a regular basis.”The author’s French upbringing also shows in his theoretical references and conceptual framework. As he discloses, “this book is inspired by the anthropological tradition developed by Pierre Bourdieu and his students.” Bourdieu, who defined sociology as “fieldwork in philosophy,” has launched the academic career of several French social scientists now working in American universities: the names of Loic Wacquant and Philippe Bourgeois come to mind. Now teaching at New York University’s Abu Dhabi campus, Pascal Menoret can be added to the list. He is more interested in field methods and working assumptions than in abstract theory and philosophical discussions. Compared to similar books published by young American PhD’s, Joyriding is rather light on theory. You won’t find the long, abstract discussions about Foucault and other philosophical luminaries that have become de rigueur in anthropological dissertations. But what the author lacks in theoretical deftness, he compensates with empirical relevance and a keen sense of the fieldworker’s position with respect to his informants.

Difficult to read, but insightful. Lots of specialized sociological terms.

Well, there is no other book like this, that I know of. So if you're looking to read about Saudi drifting culture, this is it. My perception was that Menoret's main tenet was to link joyriding to political violence (done upon Saudi youth and then re-enacted by them). He does a good job of linking oil, municipal architecture, and power together to form the political & physical "landscape" where drifting takes place.From watching Saudi drifting videos on YouTube, you would never guess about the male-to-male relationships (sexual and courtly love) and power struggles described in the book. But I wanted him to go further to elucidate this strange haram-like relationships that he encountered.I also wished for two more things:1. A more technical analysis of the physicality of drifting. If this was a book about music, it shouldn't be without scales, instruments, and even the callouses that form on your hands (although plenty of ethnomusicologists would write this way). Similarly, I wanted to know about the instruments of drifting: the cars and the mechanics behind the performances. I want to know specifically about the aesthetics of the "figures" performed by the drivers, and what made a good show vs a mediocre one, and finally, how that would interplay into the relationships of these networks.2. The book seemed very light on analysis from the perspective of subcultures. I would have expected references to Dick Hebdige or other authors I've never heard about. Perhaps it was Menoret's intention for readability to omit all the heavy academic references. But I felt it was omitted from the substance, as well as the style. I never got a deeper sense of these networks. Menoret admitted the enormous troubles faced with gaining and maintaning trust, which was no doubt a factor.Great book, worth the read.

AMAZING. Accessible, fun, best assigned-reading yet. A window into an often mis/understood country. Also eerie parallels to the United States and the failures of our own urban planning.

Unique insight into a difficult topic. Pascal Menoret has penetrated the Saudi youth underclass like no outsider has been able to do. A must read for all those interested in Saudi politics and society.

Phenomenal

This book wonderful

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Product details

Game: 18 pages

Publisher: Paizo Inc.; Brdgm edition (January 3, 2017)

Language: English

ISBN-10: 1601259158

ISBN-13: 978-1601259158

Product Dimensions:

8 x 0.3 x 9.9 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

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3 customer reviews

Amazon Best Sellers Rank:

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Series: S&S Mega Crossword Puzzles (Book 3)

Paperback: 336 pages

Publisher: Gallery Books (October 21, 2008)

Language: English

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8.5 x 0.8 x 11 inches

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Average Customer Review:

4.4 out of 5 stars

42 customer reviews

Amazon Best Sellers Rank:

#199,739 in Books (See Top 100 in Books)

I still like the old spiral-bound, 50 puzzle Simon & Schuster Puzzle Books better than these. These are OK, but a challenge to balance on one's lap while noodling away on a puzzle; and I have this 'thing' about ripping up books - shades of Nazi book burnings, I guess. These newer, 350 puzzle books also seem to contain more "Who-dats" and "pretentious-French" for answers than EVER before. I just completed a puzzle the other day that had 30 persons' names for answers. Shameful for a crossword. If I wanted a book full of names, I'd subscribe to "People" magazine. The editor must be snoozing at the job, just collecting a paycheck.

Have been Buying these Crossword Books for a few Years and Very Pleased with the Varietyof Themes and the Challenges they Impose!! There are 300 Puzzles in each Book which havelasted me for over a month for each Book. Would Highly Recommend them to Crossword Lovers!!

I find this crossword book to 'strange' with unfamiliar and awkward clue's. It is no fun to do some that are just too difficult or impossible to know the answers too!

Guess I am more of a novice at crossword puzzles but I enjoy them. This book's puzzles are older and the questions are not up-to-date questions. If you came from that time period, they will be great. I had a hard time answering from the beginning and had to resort to a lot of research.

I am about halfway through these crosswords, and I'm very pleased with the book. The tear-out sheets are great....I use a clipboard with them, which makes writing very comfortable. These puzzles do vary in difficulty...a couple have been really hard...but who wants non-challenging puzzles? I, personally, am quite happy with the degree of difficulty. I would not recommend them to a beginner, but an intermediate puzzler will find them challenging and fun. Highly recommend.

Very good crossword puzzle book. I have ordered several previously and enjoy them very much.

These are the best crossword books! Being able to remove the pages makes it so much easier to work with.

MEGA books are pretty darn good. I collect them all... when the price drops.

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Kamis, 09 Februari 2012

Download Ebook , by Philippa Gregory

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Product details

File Size: 6249 KB

Print Length: 404 pages

Publisher: Atria Books; Media Tie-In edition (July 16, 2010)

Publication Date: August 3, 2010

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B003LL3KQQ

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Gregory writes very well, and I enjoyed most aspects of her treatment of Margaret Beaufort. Still, the one overarching theme throughout the book is Margaret's overweening ambition coupled to her complete lack of self-awareness. If only we hadn't known this about her from the first pages, it would have kept me more engaged. Instead, there is never any doubt that Margaret sees herself as a perfect candidate for, if not sainthood, then for every honor that one human being can receive. She constantly wonders why others, so much less deserving than herself, keep receiving the things which she sees hers. Why are these things rightfully hers? Why, because she is God's most devout and devoted servant. Ergo, she alone deserves riches, respect and to be honored by others. All of her introspection, if such it can be called, is directed towards asking god to redress her endless grievances. This gets tiresome, hitting us as it does from the very first page. We get it, Margaret feels entitled.Still, her endless and mostly fruitless plots and schemes make an entertaining read, especially within the context of The White Queen, which should definitely be read before this volume. Her last two marriages are also well-explored by the author, and her feelings towards and interactions with first the cautious but honorable Henry Stafford and cautious but scheming Thomas Stanley were enough to keep me reading. Ultimately, and despite the protagonist's lack of introspection, I found it an enjoyable read.

The Red Queen is the a biography of a bad guy, and it's AWESOME!!Margaret Beaufort is this notorious/ infamous brutal & cold hearted women of English History, but how does someone get that way? Philippa Gregory lays down the foundation of how this woman came to be in this book, and who also becomes a prominent figure in multiple books after.As an influential figure in The Cousins War, she's never been one of my favorites; but I love this book for leveling me with who Margaret Beaufort is as a person and showing me why she is who she is. Philippa Gregory told the story of Margaret Beaufort in a way that evoked some emotions in me- she made me laugh, she made sad, she made me think, she humbled me, and she frustrated the heck out of me...and I loved every second!

This was a very interesting read. Lady Margaret is not a sympathetic character in my mind. It is true that women in this time period were ​little more than chattel, but she doesn't seem to know it. She doesn't appreciate her second husband, the only one who cares for her. When her third husband calls her out for her ambission, she is shocked. Her faith is not in God, but in her own greed and jealousy of the Yorks. It was fascinating to see how far she would go to put herself in a position of royalty. I didn't like her character, but I enjoyed filling in the history, even if it was fictional.

A bit easier for me to read than the first, The White Queen. The plot wasn’t as filled with conflict. And thank goodness for that! I had to put the first down to take a bit of a breather but this one I flew through!I was on the fence about this Queen, however. At first I was thinking I would like her more than Queen Elizabeth but as the story moved forward I became more confused with her motivation. Well, not her motivation, because that was always to put her son on the throne. But to the God aspect of her motivation. I feel like later on she was blaming everyone except herself for all the horrors in the world and she really should have been looking in the mirror instead of casting stones. She believed so fervently that God was backing her and her family that she would literally do anything that made that so!Even with that though, I really enjoyed how this one ended. There were questions that I had about the ending of the first and this one filled those in. There are still questions of course but I feel as if the next book in line, which is about The White Queen’s mother, does not sound as interesting to me as The White Princess which is #5 in this series! I just can’t wait that long!!

It's a rare story that gets told in the first person when that person is unlikeable and completely lacking in self-awareness. Lady Margaret sees herself in the mold of Joan of Arc, while we see her as unpleasant, wildly ambitious (for her son) and constantly scheming. That could make for an interesting contrast if the dichotomy between thought and action was slowly unveiled, but we're looking down our noses at Lady M in the first few pages after she announces she has "saints' knees".We learn little of her son, who is offstage for almost the entire book. Consequently when he does become king (I'm not giving anything away -- it's history!) there's no sense of joy or triumph. It's just another machination in a book that's full of 'em.So why four stars? Gregory writes extremely well. Two of Margaret's three husbands are fairly interesting. The endless plotting has its fascinations. And you get a good sense of what life was like for aspirants to the throne in the England of Richard III.

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Selasa, 24 Januari 2012

Download The New Sugar Busters! Shopper's Guide: Discover Which Foods to Buy (And Which to Avoid) on Your Next Trip to the Grocery Store, by Luis A. Balart

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The New Sugar Busters! Shopper's Guide: Discover Which Foods to Buy (And Which to Avoid) on Your Next Trip to the Grocery Store, by Luis A. Balart


The New Sugar Busters! Shopper's Guide: Discover Which Foods to Buy (And Which to Avoid) on Your Next Trip to the Grocery Store, by Luis A. Balart


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The New Sugar Busters! Shopper's Guide: Discover Which Foods to Buy (And Which to Avoid) on Your Next Trip to the Grocery Store, by Luis A. Balart

From the Inside Flap

SUGAR BUSTERS!® forever changed the way Americans eat, offering a delicious new approach to diet and health. The SUGAR BUSTERS!® Shopper’s Guide soon followed–and made finding SUGAR BUSTERS!®-friendly fare at the grocery store and supermarket a snap. Now, five years later, this revolutionary little guide has been completely revised and updated to include more food selections and more brand names than ever before.Forget measuring, weighing, and counting fat grams and calories. Throw those charts and graphs out the door! Organized like your grocery store, this handy book takes you aisle by aisle, department by department, pointing out exactly what you can and cannot eat, including: • fresh produce • meat • seafood • dairy• deli • bakery/breads • beverages• snacks • prepared foods • condimentsAlso includes essential tips for lite-weight travel and reading food labels

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About the Author

H. Leighton Steward has a master of science degree from Southern Methodist University and became CEO of a Fortune 500 energy company. He is on the board of Tulane University and is chairman of the board of trustees at the Institute for the Study of Earth and Man (anthropology, geology, and statistics). His own success with this way of eating and a family history of diabetes motivated him to write SUGAR BUSTERS! ®Morrison C. Bethea, M.D., is a graduate of Davidson College and Tulane University School of Medicine. Currently he practices thoracic, cardiac, and vascular surgery in New Orleans. Dr. Bethea is a diplomate of the American Board of Thoracic Surgery, a clinical professor of surgery at Tulane Medical Center, and an author of many publications in the field of cardiovascular disease.Samuel S. Andrews, M.D., is a graduate of Louisiana State University School of Medicine. He is a recognized expert in the treatment of obesity, and practices endocrinology with the Audubon Internal Medicine Group. He is a fellow in the American College of Physicians and the American College of Endocrinology. He is a clinical associate professor of medicine at the Louisiana State University Medical School in New Orleans.Luis A. Balart, M.D., is a graduate of Louisiana State University School of Medicine. Dr. Balart is the chief of gastroenterology at the LSU School of Medicine in New Orleans and is Medical Director of Liver Transplantation at Memorial Medical Center. He is actively involved in ongoing clinical trials in the treatment of chronic viral hepatitis and chronic liver disorders. He is the author of many publications in these areas.

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Product details

Mass Market Paperback: 128 pages

Publisher: Ballantine Books; Reissue edition (December 30, 2003)

Language: English

ISBN-10: 0345459229

ISBN-13: 978-0345459220

Product Dimensions:

4.2 x 0.3 x 6.9 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

543 customer reviews

Amazon Best Sellers Rank:

#15,322 in Books (See Top 100 in Books)

I have recently been watching what I eat more carefully, with particular emphasis on lowering sugar and carbohydrates in my diet. This approach has been helpful to me in losing weight and maintaining a healthy weight. This is a very small book, and is really a shopping aid more than anything else. It explains what foods are good and bad in different categories (e.g. "Fresh Produce Department", "Beans", "Beverages", etc.) It is not a detailed diet plan in and of itself (though a separate book is available if you desire it), although it does outline the basic tenants of the "Sugar Busters" diet. There is a useful section on reading labels and what they mean, and the principles behind the shopping lists are also briefly discussed.One problem is the specificity of some of the items in certain categories. For instance salmon or sardines may be easy to find as they are commodities, items like "Mestemacher Organic Sunflower Seed Bread" are not, and are difficult if not impossible to find in some areas. The best feature of the book is that in every category of foods, there is an unambiguous "Unacceptable" list, warning you what not to buy and eat (e.g. baked beans or pork and beans).There is an edition newer than mine now available, and I recommend buying the latest version you can find, although I have seen no reason to replace my 1999 edition. The book is very inexpensive, supremely compact, and simple to read and use. Because most of the pages are large-font lists the book is extremely quick to read (I just re-read my copy cover to cover in less than 20 minutes), but this isn't really a book to read, it's a reference book designed for repeated use. In that capacity, it does well for anyone who desires to limit their sugar intake.

I have always had difficulty controlling my weight but ( on the advice of my MD) I bought this book and simply followed the advice within. I lost 70lbs over the course of a year and - six years later - I have kept it off. Don't think of it as a diet, think of it as a lifestyle change. I feel healthier in many ways, even my shoe size became smaller! It is not a 'miracle weight loss' fad diet. It is simply healthy eating.I highly recommend this.

After losing 79 lbs on a clean, but difficult diet in about 1 year, yo-yoing up and down that last 20 lb loss (ending on the up end), and stabalizing on a low carb diet for two enjoyable months with little weight loss, but good sleep, soft skin, but too much saturated fat and meat, it is time to balance the nutritional scales, re-add some beans and whole grains (dying for a small bowl of oatmeal!), and finally achieve my goal weight/best health on an eating plan I think I can enjoy and feel great on for a lifetime. Will try to give an update between August and October 2017, after giving it a real chance. My petite sister-in-law said it was the only plan that finally helped her lose that last 5-7 lbs of fat she couldn't lose before (she had a little belly pouch).

Even without working out, this diet and set of simple guidelines is really easy to follow, and helped me finally break through with weight loss. I'm a 34-year-old guy, and now weigh less than I have in 10 years. I don't work out much either, as I'm sure I'd see much more dramatic results if I did. Try it out....it _works_.

At a screening session last year with a reputable endocrinologist in the Atlanta area, I was advised to get my hands on this book. Prior to then, I had never heard of it. I will always remember the “carb cutter” trends of 2004, and all the hoopla around the Atkins diet; like many of us, I’ve always had a dismissing attitude with every fad diet that comes and goes like a thief in the night. The premise of Sugar Busters, is that there are “good” carbs and “bad” carbs. The 2004 zero-carb trend never went into detail like this. You’d see products everywhere that had “low carb” on the label and if you were anything like me you felt like something was amiss. The authors go to great lengths to provide the honest truth about carbs-that some of them are good for us because their glycemic index is low, meaning a person will obtain adequate nutrients and energy reserves, but also stable blood sugar levels.Also, from a historical perspective, our ancestors had better reason to be healthier and less overweight than we as a modern society are. A much less industrialized and less hectic pace of life could have played a part, but also they did not have access to refined sugar and so much unhealthy processed foods. Yes, it’s true that sugar was a cash crop way back when, but if I’m not mistaken, it was called “sugar cane” which is more like its raw form. Did I use the term “cash crop” in regards to sugar? That could be why it has flourished to this day to be such a negative influence on health-Same reason we are bombarded with ads on innumerable weight loss and diet pills, drugs, etc, …follow the money trail.It was a real eye-opener for me to learn that “enriched” and “refined” do not mean what I thought it did; in regards to flour and grain products. I guess the words just sound good, in some way. Basically, the food processing procedures leach out so much in the way of essential nutrients that they must be replaced, ergo, “enriched with…” If this sounds bad to you, you are right, and correct in that this chemical food processing also causes a spike in the glycemic index of foods. If you were a whiz in chemistry class, you will totally understand when you read the chapters that discuss blood sugar, insulin, and the human metabolism.The chapter that discussed fats (26) had me thinking of an episode of a TV program “American Dad” in which trans fats have been made illegal to the public; the mother protests that she can only cook palatable meals using this potentially harmful byproduct, and the son becomes a transport mule for trans fats. The “skinny on fats” will really open your eyes a little to the misleading pop culture world of “low fat” this and that. Why you are not losing weight? Because to compensate for being “low-fat” food products often contain unhealthy refined sugar and flour ingredients. Someexcellent, high-caliber recipes are included as well; they are somewhat advanced as they were contributed by award-winning chefs; the chicken recipes look worthwhile (and tasty!) enough for me to tackle at some point. It is from reading this book that I have started baking sweet potatoes in place of the traditional, (but higher-GI) white ones. The tougher part may be, for me anyway, to convert my husband ( who is also Type 2 diabetic) to the Sugar Busters way of eating (Bless his heart, he thinks of barbecue as a main food group )If I can finally break away from the “diet pill” racket (fortunately I exercise some common sense here and go with trusted, safe brands) it will be worth something for me which is why I give four stars rather than five. It could be the only reason I never heard of this book until my doctor visit. Sadly, there’s money in diet pills, weight-loss gimmicks…but not as much money in advising people how to eat right, like our ancestors. Read this book as this is the kind of info that will save you bookoos of $$$ in medical expenses one day!

excellent book, dropped my sugar numbers drastically in just a couple weeks. and just plain eating better foods, not going hungry, seem to have more energy. white potatoes, white bread, rice are worse for you then eating straight spoonfulls of sugar. a good book for anyone, even if your not fat or borderline diabetic

Great book that helps people understand how to eat correctly in regards to sugar consumption. A great book for diabetics, people who have the possibility to become diabetic, people who want to lose weight or for those who suffer from other health problems. It's not a diet, diets are temporary. This is a change in eating habits. Highly recommended.

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Senin, 16 Januari 2012

PDF Download Blankets, by Craig Thompson

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Blankets, by Craig Thompson

About the Author

Craig Thompson is a cartoonist and the author of the award-winning books Blankets, Carnet de Voyage, Good-bye Chunky Rice, and Habibi. Thompson was born in Michigan in 1975, and grew up in a rural farming community in central Wisconsin. His graphic novel Blankets won numerous industry awards and has been published in nearly twenty languages around the world. Thompson lives in Portland, Oregon.

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Product details

Hardcover: 592 pages

Publisher: Drawn and Quarterly (October 13, 2015)

Language: English

ISBN-10: 1770462201

ISBN-13: 978-1770462205

Product Dimensions:

7.3 x 2 x 9.2 inches

Shipping Weight: 3.6 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

412 customer reviews

Amazon Best Sellers Rank:

#245,324 in Books (See Top 100 in Books)

Craig Thompson chronicles his childhood growing up in a conservative Christian family in Michigan into his awkward teenage years as a grunge kid through the 90's. It's also about his first love who opened up his world view and released his emotions. Thompson explores his faith and beliefs and how they change after various encounters.Blankets is a heartwarming tale of a middle class boy struggling to achieve social credibility and acceptance, while remaining to to himself. It's about love as much as it is about faith. They are connected. Thompson ponders his place in the universe as a boy who got bullied and did not fit in that just wanted to draw. Then, he matures into a young man that must make the major decision as to what he wants to do with his life.Craig Thompson is totally honest in Blankets as he reflects on his failures and life decisions in full. I think everyone can relate to this book. Craig is more than a character by the end, he is your friend, he is you. I believe that most readers will greatly relate and empathize with Craig at some point in Blankets.His illustrations are beautiful and often moving. He captures facial expressions and the Midwest American lifestyle with such a clear understanding of the people who live therein. Thompson develops an honest verisimilitude with his thoughtful narration and quaint drawings. They are as captivating as any great artwork I've seen in graphic novels. Craig Thompson should be proud of this book. It's wondrous in its scope and insight into his life.Blankets reminds me very much of Craig Thompson's peers in the autobiographical graphic novel medium such as Will Eisner's A Contract with God Trilogy and Eddie Campbell's ALEC comic books. For more coming of age books like Blankets, the graphic novel This One Summer is very similar in it's grounded approach to young people. If you like the love story in Blankets, then I would recommend Blue Is the Warmest Color by Julie Maroh. If you liked any of these books, Blankets is for you. By the same note, if you end up loving Blankets as I did, I would highly recommend these other books to you.

You've probably read stories like these. Hell, you've probably read, watched, heard tons of them during the course of your lifetime. I know I did. Some of them were more than excellent, some of them were boring piece of crap without an intelligent thought, some of them were just `meh' - random genre-writing without a real effort - and some of them were something more than a story. Something more like an experience imprisoned on paper. Thompson's "Blankets" is one such story and no matter how many times you heard something just like it this one will manage to kick you in the gut. Or wherever it hurts the most. Premise is simple enough. You have a young boy and his brother living in rural Wisconsin. You have religious parents with no lack of authority, and a community full of "jerks". You have bullies in high-school and you have religion as an escape mechanism from plights of this world. You have a winter-camp, pretty girl and falling in love. You have a road trip, or something very similar to it and you have emotional growth connected to it. You have a disillusion and maturing, you have fears, hopes and longing. In other words, you have elements of everyone's life - rearranged a bit to suit a purpose of a story - laid out on close to a 600 pages. It could've gone to blatant cliché or it could've been boring as hell. Fortunately, it wasn't neither. Though elements are familiar, their representation isn't. Thompson is skillful artist (which becomes more obvious in the "Habibi") and the way in which he manages to construct panels to show, indicate and cause emotions is something to behold. His line can be either simple or endlessly complex (reminiscent of arabesque or techniques of expressionism), extremely manipulative or perfectly innocent and much of the power that lies in this book does come from the Art itself, words merely supplement the picture. And "Blankets" is powerful, have no doubt about it. It takes you back to a place and events you never quite forgot, it makes you wonder what if, it makes you pick up a phone and make a call (though You know it would be a wrong move and nothing good could come out of it), it gives you this feeling that, despite everything, world really is a wonderful place. Thompson is very careful about it, more careful than many an author out there. He never idolizes the past (though sometimes he does `preach' about it from an older perspective), nor does he dwell in it. He uses it as a fuelling ground, using his art to represent a moment (or few) that made him what he is today (moment we all, in some part, share with each other). At the same time, this is a book about personal experience and a book about `being human'. Do you recall most famous blanket in the history of comics? If you recalled Linus's security blanket from "Peanuts" you recalled right. What Charles Schulz did in a series of cartoons, Thompson did on a more complex level. "Blankets" is a story about insecurities and various mechanisms that we use to overcome them. World is dark and full of terror (or so the saying goes), and sometimes you need a blanket under which you can devise your own world, with its own rules. Eventually, you'll have to get out (Thompson uses the famous dialogue from Plato's "Republic" to indicate this). World will not change, but you'll be more prepared.

Blankets has changed the way I look at graphic novels. This isn't so much a graphic novel as it is an experience.There is so much raw beauty to be found in this book. The inescapable memories of first love, the ever-personal struggle with religion, and the importance of family are just some things touched upon. It's also very well written and delicately and tastefully drawn, especially Craig, the main character's, thoughts. There's this one part where Craig says goodbye to his girlfriend, with whom he has a long-distance relationship. The next panels show her driving away. When her car is out of sight, the final panel is of her car driving off a nonexistent cliff. I don't know about you, but when I see somebody that I love leaving, that's exactly how I feel.This is one of the most beautiful things I have read. Craig Thompson is a genius.

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