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Minggu, 20 Oktober 2013

Ebook Download JPS Hebrew-English Tanakh

Ebook Download JPS Hebrew-English Tanakh

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JPS Hebrew-English Tanakh

Review

“Virtually every rabbi and library will want this volume.”—Associated Press (Associated Press)

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From the Publisher

The JPS Hebrew-English Tanakh is available in a number of editions; paperback and hardcover, full-size and pocket editions, and in various cover colors and materials.

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Product details

Imitation Leather: 2038 pages

Publisher: Jewish Publication Society; Student ed edition (January 1, 2001)

Language: English

ISBN-10: 0827606974

ISBN-13: 978-0827606975

Product Dimensions:

7.1 x 1.8 x 9.6 inches

Shipping Weight: 3.1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

262 customer reviews

Amazon Best Sellers Rank:

#30,796 in Books (See Top 100 in Books)

This product is misrepresented. The vendor does not provide the dimensions of the book, and his photos make it appear to be a standard size. It is the very small "students version." Actually it is very small and fat. Nevertheless, the printing is perfect... just too tiny to read without a magnifying glass and good lighting.The standard version is what I had wanted. It has the same perfection in printing, and is also a readable size.If this was a deliberate "bait and switch" then shame on the vendor. If it was an oversight then shame on the vendor. Sales like this are inexcusable. Even Amazon is at fault for allowing anything to be sold without a full and accurate description.Shame on Amazon, for this is happening too often with many of their products.

Should be in the Bible library of every serious (or moderately serious) Bible student. Good, solid translation of what Christians call the 'Old Testament' and what Jews revere as the 'Scriptures'. These are very familiar stories to most Christians and Jews, but translated from the viewpoint of those in the Hebrew/Jewish tradition.Which turns out to be amazingly similar. I could read this version of the Scriptures in my (rather Protestant, reform influenced) Christian church and no one would ever suspect what group translated it.The footnotes are invaluable for understanding the historical aspects from the viewpoint of the Jewish nation and people.For clarity, I am a Christian.

Very nice, shrift and design awesome.

As a Karaite Jew, I cannot help but love this beautiful translation of the Tanakh. The other competitors, namely Artscroll's, is biased in its text a few key times in order to give favor to the Rabanical point of view. The JPS Tanakh, however, is almost without bias.With that said, the biggest issue I have with the JPS is that is can, at times, read as a paraphrase rather than a literal translation. Once you get passed this, along with the binding, you will learn to enjoy this particular treasure.

Great translation, format, printing, etc! The footnotes are also very well done, thoughtful, and all-inclusive. I appreciate how much the authors include the works of very non-Jewish sources, such as Jerome, the Christian-maintained Septuagint, and modern scholarship of all flavors to help the reader understand the Masoretic Text, and how readily the authors admit to still being uncertain about some words & phrases. Definitely not a fundamentalist / presumptive take on the scripture.

THIS IS SUCH A GREAT ADDITION TO MY STUDY MATERIALS. TOOK A MINUTE TO GET USED TO READING FROM BACK TO FRONT BUT I GOT THE HANG OF IT. THE BOOKS ARE IN A DIFFERENT ORDER THAN WHAT I AM USED TO BUT I ADJUSTED TO THAT AS WELL. YOU CAN ADD BIBLE TABS TO MAKE IT EASIER. I LOVE THE CLEAR TRANSLATION...IT DOES NOT ALTER THE MEANING FROM THE KING JAMES VERSION BUT IT CLARIFIES AND IN SOME INSTANCES, ADDS MORE DEPTH TO THE VERSE. I USE IT DAILY AND LOVE IT.

I very much appreciate this option to read the Hebrew text and English translations side by side. I am a divinity school student and have been taking Introduction to Old Testament/Hebrew Bible. (I also took introductory courses in classical Hebrew, so I have a rudimentary understanding, but not nearly enough to read the text efficiently in Hebrew.) My school has this version of the Tanakh in our chapel, and though I have an English study bible, I found myself going to the chapel to read my assigned readings from this Hebrew-English Tanakh. That way I could brush up on my Hebrew while also doing the English-language readings that were assigned. Finally I bought the book for myself. I have had it for about six weeks. I am really pleased with the quality, and the price on Amazon is much more accessible than in stores near me.

Very beautiful Tanakh. The pages are crisp and speech direct. I would recommend for anyone interested in Israel.

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Sabtu, 19 Oktober 2013

Get Free Ebook A Time to Die: The Untold Story of the Kursk Tragedy

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A Time to Die: The Untold Story of the Kursk Tragedy


A Time to Die: The Untold Story of the Kursk Tragedy


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A Time to Die: The Untold Story of the Kursk Tragedy

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Audible Audiobook

Listening Length: 10 hours and 3 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Dreamscape Media, LLC

Audible.com Release Date: July 26, 2016

Language: English, English

ASIN: B01IAH9848

Amazon Best Sellers Rank:

As a work for non specialists, "A Time to Die" is an excellent, well written, and thoroughly explained piece of journalism. It is written for laymen, yet does not condescend to people without a background in submarine operations. The K-141 'Kursk' sank on August 12, 2000 off northern Russia during a training exercise after an aged torpedo exploded in the bow of the boat, sinking the ship rapidly to the 350 foot deep seabed. 28 men survived in the aft of the ship and lived in a cold and dark environment for several days before being killed by a rapid flash fire.The elements that led to the tragedy are compelling. The Russian navy was (and is) in utter disrepair after the breakup of the USSR, and rescue submersibles were among the first budget cuts made. Only several days after the 'Kursk' sank was help from England and Norway solicited, due largely to national pride (and fear of espionage). The entire debacle happened only a few months into the Putin administration and proved to be a watershed in Russian politics.Moore tells the story from the viewpoint of the survivors, the would-be rescuers and the victim's families, with special emphasis on deteriorating Russian capabilities (and the preventable nature of the disaster) and the political forces that doomed the survivors to a sure death. Overall it is a superb telling of the salient points of the tragedy, its investigation, and aftermath. The photographs alone are worth the price of the book, particularly the pictures of 'Kursk' in drydock after the accident. I highly recommend it to anyone looking for a general treatment of the technical side of the disaster and an in-depth covering of the political machinations involved.

The author appears to have taken great pains to insure the accuracy of his account of this tragic accident. The information is presented in a manner understandable to non-technically inclined readers. It offers a sympathetic view of the person's involved in the actual rescue efforts while not mincing words concerning the culpability of those whose decisions and actions hindered the rescue efforts. Overall it is an excellent work covering one of the most tragic events of our time.

The book, itself, is written in such a way that even the most mechanically inept people can understand what, why, and how what happened happened, but those with a background in mechanics will find this book just as interesting, due to the little "nuggets" throughout the book that prove interesting to those with a working knowledge of submarines. This IS a book that should be considered a "must read" if you want to know more about the incidents surrounding the doomed submarine.People with a background in history will also be interested in this book, because of the story BEHIND the scenes, so to speak... the story of how the "politicos" in Moscow tried to tamp down the disaster. That was what caught me by surprise the most... the fact that it seemed like this all happened in 1980's Russia, rather than the Russia of the 2000's. This IS just MY opinion, but Putin bungled the whole incident, and I didn't have a single nice thing to say about him after reading this book, but that's probably a discussion best had in a totally different forum.

. This telling really examines the story of the sinking of the Typhoon sub Kurst and the loss of all aboard. The pitiful state of the Russian military in the 90s is really the culprit responsible for the disaster and the inability to respond to the situation. Much of the book is a reconstruction of the events base on the evidence retrieved after the sub was raised. The incompetence and secrecy of the Russian system but eventually accountability was delivered to many of those responsible for this disaster but the real culprit was the desire to have a viable military without the money to actually do it safely.

Not sure what drew me to this book some 12 years after the event. Somewhere in the back of my mind, I remembered hearing about the disaster and I also remembered some eerie pictures I'd seen of the Kursk sitting on the ocean floor.Robert Moore has done a bang up job of piecing together the loss of one of Russia's most prized submarine's: The Kursk, and put it into language that all of us can understand.The book tells us about the conditions on the base where the crew and their families lived. Also he outlines the limited resources and archaic equipment the men had to work with. He goes on to explain how budgets related to rescue had been systematically slashed year after year. The Kursk represented the cutting edge in stealth and attack but, ironically, should it encounter failure, the equipment to save the crew dated back to the 50's or earlier.Moore sets the timeline for the military exercise the Kursk was involved in on the day of disaster. Following failure to receive communications from the Kursk, ideas started to form there was a problem. Slowly the wheels of Russia started to turn and even slower acceptance of the realization that something was wrong. Help from Britain, Norway and the USA was initially declined by Russia due to distrust and the need to maintain secrecy. Meanwhile, men were dying horrible deaths in an impenetrable tomb some 360 feet below the surface of the Berents sea.Moore tells us about the families of the men receiving contradictory reports and deliberate stonewalling by the authorities. He also tells us how offers of help using far advanced equipment were viewed skeptically and declined for days by the higher ups in Moscow.Eventually, Norwegian and British divers got the hatch open on the Kursk and here the book, for me, became very gripping. Moore's writing does a wonderful job of putting you at the scene also, the writing puts you in the 9th compartment of the sub where the 23, who survived the catastrophic explosion, were huddled awaiting rescue.The book is written in laymen's terms and adequately details the events of a sad day for humanity as, undoubtedly, the value of Iron, steel, secrecy and politics were placed higher in value than the lives of men.

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Jumat, 11 Oktober 2013

Get Free Ebook The Problem of Pain

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The Problem of Pain

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Listening Length: 3 hours and 50 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: HarperAudio

Audible.com Release Date: August 21, 2012

Whispersync for Voice: Ready

Language: English, English

ASIN: B0090CJ7SU

Amazon Best Sellers Rank:

I was surprised how much I enjoyed this book. The problem of pain is of course the subject of focus, but the book is nearly comprehensive as an explanation of the Christian worldview. Lewis is a clear thinker and writer. The last chapter on animal pain was astonishing and presents theories I'd never before considered. I've given this book as a gift twice since reading it in 2014.

It is no secret that C.S. Lewis is an incredible writer and story teller. Unlike his popular series The Chronicles of Narnia this book is nonfiction; however, it is still written in the dreamy, thought-provoking way that The Chronicles of Narnia are. Lewis has a way of taking common questions and concerns that everyone is struggling with and offer a type of explanation for them. While it was a required textbook reading for a college course that I took, I am genuinely glad that I was introduced to the book and I would absolutely recommend reading it even if it is not necessary for a class that you are taking. If you struggle with the existence of pain in a world with an all-loving God, this book is definitely for you. As with every sermon or reading that discusses theology, it is very important that you take C.S. Lewis's words and see how they line up with The Bible and your own convictions given to you by The Lord. However, I truly believe that you will find greater peace after reading this book. This book causes you to think and may challenge some existing beliefs that you have. Ultimately, it will cause you to grow as a person. I was also very happy with the seller of this book. The book arrived in perfect condition and did not have any marks on the inside or tears anywhere on the book. It was shipped the day that I ordered it and arrived the day that it said it would. If you are looking for a challenging book and want to dive deeper into the question of the existence of pain, I recommend getting your hands on this book!

It took me longer than expected to read this slim book. I would frequently re-read sections. "If God is good and all-powerful, then why does he allow his creatures to suffer pain?" Lewis's answer to this delicate question is thought provoking, insightful, complex, deep , and intellectual. It is hard to wrap my head around both the question and the answer. In all honesty, I had a difficult time accepting pain for animals who according to Lewis are sentient but not conscious/self aware. I do not agree with his conclusion but I respect his brilliant and exceptional thought process and writing. This is an excellent book for anyone who wants to delve into this seemingly paradoxical question. You may support his explanation or disagree with his beliefs but you will be challenged to think deeply about this profound question.

In The Problem of Pain, C.S. Lewis addresses the age-old question of how there can be suffering while God is all-powerful and still good. I would not say that he answers the question in the best way, nor that I agree with some of his basic assumptions. But nevertheless, as he’s thinking about the subject in the book, he gives some fantastic insights and thoughts. As a result, this book is totally worth reading. And as is typical of Lewis, as you read, I found myself thinking things I’ve never thought before and seeing reality from new angles.Practically, I thought that four out of the ten chapters were outstanding, two others had some decent insights, and the remaining four weren’t that great. The four astounding chapters were the introduction, the chapter called “Divine Goodness,” the chapter entitled “Human Wickedness,” and the final chapter about “Heaven.”In this review, I will talk about each of those chapters and then I will give an overall review of why he answers the question of suffering well in some ways and not so well in others.The Introduction and Why Religion Must Be TrueIn the introduction, Lewis starts by showing why religion has always been a reality for humanity. He cleverly shows that it isn’t that religion is a brute thing—as some moderns want us to believe. Rather, he says that there have always been three strands running through existence that lead people to religion, and which make religion (and the existence of a god more plausible). Then he argues that in Christianity, there is a fourth strand that makes it even more reasonable. He starts with this in the introduction to show that the answer to the problem of suffering is not that God does not exist. Reason, experience, and history show us that he does, and Christianity is by far the truest option.The first strand is what Lewis calls the numinous. Other words he uses are ‘dread,’ ‘awe,’ or the ‘uncanny.’ He talks about how people aren’t just scared of danger. It is more complicated than that. He talks about if you heard there was a tiger in the other room, you’d be afraid because of danger. But if you were told that there was a ghost, you’d be afraid because it is a ghost. It would produce awe; it would be disturbing. And he says this numinous experience goes way back.Moreover, he says that we can’t just say that because it goes way back that we can dismiss it. He writes, “Most attempts to explain the Numinous presuppose the thing to be explained—as when anthropologists derive it from fear of the dead, without explaining why dead men (assuredly the least dangerous kind of men) should have attached this peculiar feeling. Against all such attempts we must insist that dread and awe are in a different dimension from fear” (9). Concerning the numinous then, he concludes that we can believe two things about it: 1) that it is a mere twist of the human mind; or 2) that “it is a direct experience of the really supernatural” (10).The second strand that proves religion to be real is morality. He distinguishes between the “I want” or “I shall be well advised” from the “I ought” (10). And again, he says that people try to explain this away saying that is has always been this way. But that doesn’t answer the issue. Instead, “Morality, like numinous awe, is a jump; in it, man goes beyond anything that can be ‘given’ in the facts of experience” (11). He shows “all men alike stand condemned, not be alien code of ethics, by by their own, and all men therefore are conscious of guilt” (11).The third strand of religion throughout time is that they connect the Numinous with this sense of Morality. In this way, “the Numinous Power to which they feel awe is made the guardian of the morality to which they feel obligation” (12). And for a third time, he rightly shows that although this seems ‘natural’ because it has always been common, it is not obvious or natural to have either the Numinous or Morality, nor this connection per se.These are the three strands which show that religion is not just something for brutes, but instead arises because of these unexplainable things we all experience.The fourth strand then is distinctly Christian. And that is a historical event. “There was a man born among these Jews who claimed to be, or to be the son of, or to be ‘one with’, the Something which is at once the awful haunter of nature and the giver of the moral law. The claim is so shocking…that only two views of this man are possible. Either he was a raving lunatic of an usually abominable type, or else He was, and is, precisely what He said” (13).As a result of these four strands, concerning the problem of pain, Lewis in the introduction concludes,“Christianity is not the conclusion of a philosophical debate on the origins of the universe: it s a catastrophic historical event following on the long spiritual preparation of humanity which I have described. It is not a system into which we have to fit the awkward fact of pain: it is itself one of the awkward fact which have to be fitted into any system we make. In a sense, it creates, rather than solves, the problem of pain, for pain would be no problem unless side by side with our daily experience of this painful world, we had received what we think of good assurance that ultimate reality is righteous and loving” (14).The Divine Goodness and Pain(Concerning Lewis’ idea of “divine goodness,” I have written a post about the chapter here. I will copy much of it here in this section)Another chapter I really enjoyed from the book is a chapter in which Lewis details God’s ‘divine goodness,’ as he calls it. The chapter does not consist of ethereal thoughts about how God can be good, but instead focuses in on his love for his own, and how he lovingly views them as works of art. As typical of Lewis, his thoughts are profound and provoking, and therefore worth slowly reading. He writes,“We are, not metaphorically but in very truth, a Divine work of art, something that God is making, and therefore something with which he will not be satisfied until it has a certain character. Here again we come up against what I have called the ‘intolerable compliment.’ Over a sketch made idly to amuse a child, an artist may not take much trouble: he may be content to let it go even thought it is not exactly as he meant it to be. But over the great picture of his life—the work which he loves, though in a different fashion, as intensely as a man loves a woman or a mother a child—he will take endless trouble—and would, doubtless, thereby give endless trouble to the picture if it were sentient. One can imagine a sentient picture, after being rubbed and scraped and recommenced for the tenth time, wishing that it were only a thumbnail sketch whose asking was over in a minute. In the same way, it is natural for us to wish that God had designed for us a less glorious and less arduous destiny; but then we are wishing not for more love, but less” (34-35).Lewis is arguing that God’s commitment to leaving us not as we are is a sign of his love and commitment to us. When we are asking to be left alone, “we are wishing not for more love, but less.”He continues later in the chapter,“The Church is the Lord’s bride whom He so loves that in her no spot or wrinkle is endurable. For the truth which this analogy serves to emphasize is that Love, in its own nature demands the perfecting of the beloved; that that the mere ‘kindness’ which tolerates anything except suffering in its object is, in that respect, at the opposite pole from Love. When we fall in love with a woman, do we cease to care whether she is clean or dirty, fair or foul? Do we not rather then first begin to care...Love may, indeed, love the beloved when he beauty is lost: but not because it is lost. Love may forgive all infirmities and love still in spite of them: but Love cannot cease to will their removal” (38-39).With this true definition of love set in place (a love which loves even beauty isn’t there, and yet which by definition must desire the betterment of the other), Lewis defines this aspect of God’s love for his people:“When Christianity says that God loves man, it means that God loves man: not that He has ‘disinterested’, because really indifferent, concern for our welfare, but that, in awful and surprising truth, we are the objects of His love. You asked for a loving God: you have one” (39).He continues later as a way of summary,“We were made not primarily that we may love God (though we were made for that too) but that God may love us, that we may become objects in which the Divine love may rest ‘well pleased’. To ask that God’s love should be content with us as we are is to ask that God should cease to be God: because He is what He is, His love must, in the nature of things, be impeded and repelled by certain stains in our present character, and because He already love us He must labour to make us lovable” (40-41).Then he concludes,“We are bidden to ‘put on Christ’, to become like God. That is, whether we like it or not, God intends to give us what we need, not what we now think we want. Once more we are embarrassed by the intolerable compliment, by too much love, not too little...To be God—to be like God and to share His goodness in creaturely response—to be miserable—these are the only three alternatives. If we will not learn to eat the only food the universe grows—the only food that any possible universe can ever grow—then we must starve eternally” (47).This is what he means by God’s goodness towards us. He will not leave us as we are, but will use whatever means—especially pain—to lovingly mold us. And so, Lewis is right: God’s love—as it is true and deep love—is not content to leave us as we are. He loves us as we are, but love never wants to leave the person as they are. He desires our holiness, for our happiness and his honor. And as Lewis concludes in the last two sentences above, there is no other way to happiness. There are three options in the world: 1) to be God himself (which we cannot be), 2) to be like God, or 3) to be miserable. God, in his love, therefore seeks to make us more like him. This is his ‘intolerable compliment.’ This is his love.Human Wickedness Is Truly GreatLewis also has some good insight on the wickedness of humanity. He includes this chapter, after the chapter about God’s goodness in molding us, to answer the question, “Why do we men need so much alteration?” (48).He talks about how “when the apostles preached, they could assume even in their Pagan hearers a real consciousness of deserving the Divine Anger…But all this has changed. Christianity now has to preach the diagnosis—in itself very bad news—before it can win a hearing for the cure” (48).He continues to talk about how we have overdone it by trying to overcome that good sense of shame. He says, “We have laboured to overcome that sense of shrinking, that desire to conceal…In trying to extirpate shame we have broken down one of the ramparts of the human spirit, madly exulting in the work as the Trojans exulted when they broke their walls and pulled the Hose into Troy” (50). He then shows that “a recovery of the old sense of sin is essential to Christianity…And when men attempt to be Christians without this preliminary consciousness of sin, the result is almost bound to be certain resentment against God as to one always inexplicably angry” (50-51).One of my favorite lines is when he writes, “When we merely say that we are bad, the ‘wrath’ of God seems a barbarous doctrine; as soon as we perceive our badness, it appears inevitable, a mere corollary from God’s goodness” (52).Then he gets specific about our sin. He insightfully points out, “We imply, and often believe, that habitual vices are exceptional single acts, and make the opposite mistake about our virtues—like the bad tennis player who calls his normal form his ‘bad days’ and mistakes his rare successes for his normal” (53). This is hysterical, and sadly true.He also talks about how we tend to think that time will cancel sin. In one of the best gospel moments in the book, he writes, “We have a strange illusion that mere time cancels sin. I have heard others, and I have heard myself, recounting cruelties and falsehoods committed in boyhood as if they were no concern of the present speaker’s, and even with laughter. But mere time does nothing either to the fact or to the guilt of sin. The guilt is washed out not by time but by repentance and the blood of Christ: if we have repented these early sins we should remember the price of our forgiveness and be humble” (54-55).And he addresses the argument that everyone is bad, and so it isn’t that big of a deal. In wonderfully Lewis style, in addressing this he uses some great analogies. He explains,“It is natural to feel that if all men are as bad as the Christians say, then badness must be very excusable. If all the boys plough in the examination, surely the papers must have been too hard? And so the masters at the school feel till they learn that there are other schools where ninety per cent of the boys passed on the same papers. Then they begin to suspect that the fault did not lie with the examiners. Again, many of us have had the experience of living in some local pocket of human society—some particular school, college, regiment or profession where the tone was bad. And inside that pocket certain actions were regarded as merely normal…But when we emerged from that bad society we made the horrible discovery that in the outer world our ‘normal’ was the kind of thing that no decent person ever dreamed of doing…It is wise to face the possibility that the whole human race (being a small thing in the universe) is, in fact, just a local pocket of evil—an isolated bad school or regiment inside which minimum decenecy passes for heroic virtue and utter corruption for pardonable imperfection” (55-56).Lewis then also argues that we aren’t any better than those before us. Rather, we just have different obvious sins. He states, “From considering how the cruelty of our ancestors looks to us, you may get some inkling how our softness, worldliness, and timidity [and I would add, lust] would have looked to them, and hence how both must look to God” (58).As a result of this all, Lewis makes a good argument for true human wickedness, which is why man needs such forming by God through pain. He finishes the chapter writing, “When the saints say that they—even they—are vile, they are recording truth with scientific accuracy” (62).Heaven and the Uniqueness of Each Soul Prepared for ItLewis from here goes on to discuss how man is now fallen, how God uses pain, and the reality of hell in God’s universe. He has some interesting things to say in those chapters, but he really hits gold in his last chapter of the book about heaven. Here he opens up the doors of wonder.He begins by addressing how many people think Christians are escapists for looking so forward to heaven. In response, he says that this future blessedness and perfection is either real or not real. If not, Christianity is false. But if it is, then it is not escapist at all. Rather, “a man’s love for a woman is not mercenary because he wants to marry her, nor his love for poetry mercenary because he wants to read it, not his love of exercise less disinterested because he wants to run and lap and walk. Love, by definition, seeks to enjoy its object” (149).Then it gets wonderful as he talks about the uniqueness of heaven for each person. I will let him speak for himself:“I am considering not how, but why He makes each soul unique. If He had no use for all these differences, I do not see why He should have created more souls than one. Be sure tha the ins and outs of your individuality are no mystery to Him; and one day they will no longer be a mystery to you. The mould in which a key is made would be a strange thing, if you had never seen a key: and the key itself a strange thing if you had never seen a lock. Your soul has a curious shape because it is a hollow made to fit a particular swelling in the infinite countours of the Divine substance, or a key to unlock one of the doors in the house with many mansions. For it is not humanity in the abstract that is to be saved, but you—you, the individual reader, John Stubbs or Janet Smith. Blessed and fortunate creature, your eyes shall behold Him and not another’s. All that you are, sins apart, is destined, if you will let God have His good way, to utter satisfaction…You place in heaven will seem to be made for you and you alone, because you were made for it—made for it stich by stich as a glove is made for a hand” (151-152).Wonderful and beautiful, isn’t it? He continues,“Why else were individuals created, but that God, loving all infinitely, should love each differently?...If all experienced God in the same way and returned to Him an identical worship, the song of the Church triumphant would have no symphony, it would be like an orchestra in which all the instruments played the same note…Heaven is a city, and a Body, because the blessed remain eternally different: a society, because each has something to tell all the others—fresh and ever fresh news of the ‘My God’ whom each find in Him whom all praise as ‘Our God’. For doubtless the continually successful, yet never complete, attempt by each soul to communicate its unique vision to all others (and that by means whereof earthly art and philosophy are but clumsy imitations) is also among the ends for which the individual was created” (154-155).He summarizes using the terms union vs. sameness. He writes, “God created: He caused things to be other than Himself that, being distinct, they might learn to love Him, and achieve union instead of mere sameness” (156).This then is Lewis’ view of heaven, especially in response to the problem of suffering. God is molding each one of us for a specific mold, which, for those redeemed, will be uniquely found in Christ in heaven forever.A Summary of It AllMuch more could and should be said about this work. Lewis has profound insights, and so I would encourage anyone to slowly read the book.However, as for why I do not think his answer to the problem of suffering is the best is that he unbiblically introduces this idea of ‘free will’ a couple times. This idea is nowhere to be found in the Bible, but has been added because of the ease of human reasoning. This is unfortunate in Lewis’ work because in the times when he talks about ‘free will,’ it isn’t necessary. All that is necessary is moral responsibility, not this idea of free will. God does not need to be defended with this idea of free will. Rather, biblically man is 100% a moral creature with true moral responsibility. God’s sovereignty doesn’t need to be taken away. And because moral responsibility is true, God still can use pain to mold him.So, to then introduce the idea of ‘free will’ is unneeded for his argument. Rather, a more biblical view is that God is totally sovereign (and hasn’t given any of that away in ‘free will’) and man is totally responsible. So why then is there suffering? He uses it individually and he has grand purposes for all of creation (namely, his glory, especially in exalting the grace of Christ). More could be said, but I need not expand here. Instead, I encourage anyone to read Jonathan Edwards’ book The Freedom of the Will to see how free will is not biblical nor reasonable, and how suffering fits in God’s plan biblically.Besides this, essentially Lewis was just saying that God uses pain to mold us for the better. And this is biblical and encouraging.The glory of the book, however, comes in this instances of wonder from Lewis’ mind. For this reason, the book is totally worth reading in depth.

C.S. Lewis, in his way of expressing thought, makes one feel as if this is the most sensible thing I've ever read. His refreshing logic makes one feel sane. Addressing the most difficult problem confronting the Christian claim of Good God who is also the Creator of all. Whence then evil and suffering? Although no answer fully satisfies, Lewis makes this clear that this only a problem for Christian Theists, which is itself a profound thought. Because the Atheistic position has no moral absolute to appeal to or complain about, they must borrow from Christianity in order to voice their opposition to the suffering in the world they live in.

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Minggu, 29 September 2013

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Product details

File Size: 2448 KB

Print Length: 778 pages

Publisher: Berkley; Abridged edition (May 3, 2011)

Publication Date: May 3, 2011

Sold by: Penguin Group (USA) LLC

Language: English

ASIN: B004TS9FC8

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Amazon Best Sellers Rank:

#15,710 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is a trilogy about family and life and choices; the triumphs and tragedies, kindness and cruelties, blessings and heartaches.Every time I read her work, even if it's a 2nd or even 3rd time and I rarely read a book more than once, she draws me into her vision effortlessly. She has such an understanding of what it is to be human, both good and bad, that it borders on the psychic.It doesn't matter which of her books you read, pick up one, I guarantee you won't stop there.

FINAL DECISION: My favorite book of the trilogy, BORN IN ICE has two characters whose past has kept them from moving forward with their lives. I loved how Brianna wins over the wandering Gray with a quiet simplicity.THE STORY: Brianna Concannon has made a life for herself after converting her family home into a bed and breakfast inn. The younger sister, the dutiful daughter and the one always seeking to make peace in her family, Brianna is looking forward to a quieter winter with only one scheduled guest. Grayson Thane is a famous mystery writer who has come to Ireland seeking peace and quiet and inspiration for his next novel. Gray enjoys his gypsy life traveling from place to place working on his writing. Attracted to Brianna, he wants her but knows that things will end and he will move on.OPINION: This is my favorite book in the series because I loved both the hero and the heroine in this book from the start.Brianna is the peacemaker in the family. She has always tried to smooth over the difficulties in her family and yet this book shows how she has been effected by the discord between her parents and the resulting familial difficulties. Despite or perhaps because of this, Brianna has sought to make a peaceful domestic atmosphere that she has translated into her small business of her inn. I loved how Brianna uses the domestic arts to make a "home" for travelers. She is the "ice" in the story because of her place in her family and also because of her quiet personality. This book reveals secrets in her past which result her re-evaluating her life. Into that disruption comes Gray who pushes Brianna from her safe space.Gray is a man who is so scarred by his past that he has built a great life, but one of a nomad with few personal connections. He sees this as a kind of freedom, but he is challenged by Brianna and the town where she lives. A man who insists that he will not stay when he starts an affair might seem callous, but Gray is so open and honest and caring that I understood him as a character rather than thinking he was a jerk. This book also delves deep into the writing process (something the author certainly understands) and I loved the depictions of how Gray works as an artist.When I think of this series, I always think about the characters sense of place in Ireland and also how they all connect to the artistic process. There is such an expansive understanding of artistry in this book. Gray is the obvious artist because of his writing, but Brianna is an artist in her own right as she cooks and knits and gardens. The appreciation for these arts is something that I appreciate in this book because such great talent is something that is often overlooked.This book has a small subplot of mystery which fits the story because of Gray's profession, but this book is really focused on the relationship between Brianna and Gray. The subplots only serve the purpose of the romance which is exactly how I like my romance books.WORTH MENTIONING: Readers of the first book in the series will get a nice update on Maggie and Rogan.CONNECTED BOOKS: BORN IN ICE is the second book in the Born in Trilogy. While the romance here is self-contained and thus can be read as a standalone, this series is meant to be read together as there are overlaps in characters and an overarching storyline.STAR RATING: I give this book 5 stars.

This is such a great book, that I look forward to going back and reading these stories again like some that I already have, and I am impatient to read the rest of Nora Roberts' stories right now. Hot, Hot, Hot, love scenes, a well written, creative and intriguing story about family plus inventive, vivid characters, all on top of seriously wonderful love and romance. Each story is about one key person, usual in a family, or close group of friends, they are linked through intricate, messy links and it's almost like a movie you get the privilege of witnessing about these people's powerful, emotional, and often times painful journey towards falling in love. Roberts is one of my most favorite author's, and she doesn't disappoint in this series. Her unique style and classy, yet moving love scenes, paint a beautiful picture that leaves a person longing for something similar for themselves. All of that is combined into this fantastic series and make this book a "must-have"!!!! I didn't want to set it down....seriously!! Lol I was nodding off over my book on several different occasions. Worth the price and more to have a Nora Roberts book in your library collection!!!!!!

Don't get me wrong it's a decent book, but Grayson just didn't make sense and Brie was way too kind. It's basically about a young woman losing her virginity. After they have sex she immediately says she loves him (which I get) - over and over again so there shouldn't be a surprise that she did. SO he breaks up with her because she is "too icy." Huh?! Until then, he has never said it back after she said told him a gazillion times. Grayson then turns it around that it's her fault he's leaving. I started to like him early in the book but it just went downhill.

Of every book, of every series, that Nora has written, this is my most favorite. My second favorite is the Chesapeake Bay series.The Born In trilogy was written with so much heart! I wish it were real and that I could travel to Ireland and become part of the family!Nora, please write another book so we can join this family again and see how the babies have grown and meet the new babies I'm sure have come. I would love to see Maeve happier. And perhaps she could sing for us.Maybe a Christmas novella? That would be brilliant!Anyway, these are the books that turned my daughter into an avid reader! Thank you for that.

I'm a fan of all Nora Roberts' books. I find that sometimes they can be predictable as far as you know there's going to be a romance, especially with the trilogies - usually you're introduced to three women and three men. But for me, the joy is in seeing the story and characters develop. The scenes are described in such detail you feel as though you're there experiencing yourself what is happening on the page. The characters' personalities and emotions are so real, you feel as if you know them personally and you're hoping things work out for them -- or in some cases, hoping it doesn't. I read and re-read many of Nora's books because I enjoy getting lost in the story, much as I will watch a favorite movie over and over again. Reading her books is like being transported to another time and place.

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Kamis, 19 September 2013

Free PDF The New Chinese Astrology, by Suzanne White

Free PDF The New Chinese Astrology, by Suzanne White

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The New Chinese Astrology, by Suzanne White

The New Chinese Astrology, by Suzanne White


The New Chinese Astrology, by Suzanne White


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The New Chinese Astrology, by Suzanne White

About the Author

Suzanne White is the High Priestess of Chinese and Western Astrologies. She is ingenious in her unusual, amusing approach to astrology. She has published many best-selling books on both zodiacs. She is well known and respected in the field. All of Suzanne White's books sell steadily and remain in print. Since 1995, White has been a continued presence on the Internet, at first working for both AOL and Disney sites. In 2001, she started her own web site http://www.suzannewhite.com. This most original web site has been an enormous success and given Suzanne White's name even more global recognition than she previously enjoyed. From 2001 through 2008, Suzanne White created software programs and applications for online reports and even built an Iphone application. Suzanne White offers private readings and consultations. See her web site http://www.suzannewhite.com where she also sells her books and astrological reports. To schedule a reading/consultation with Suzanne White visit her web site http://www.suzannewhite.com and click on "Chart Readings" top right on the home page. Suzanne White is a pace setter. She is also a capable, hardworking and very funny writer. White has an enormous following and is admired and beloved by her fans the world over. Join Suzanne on Facebook. https://www.facebook.com/suzeparis?fref=ts

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Product details

Paperback: 636 pages

Publisher: CreateSpace Independent Publishing Platform (November 11, 2015)

Language: English

ISBN-10: 1518839223

ISBN-13: 978-1518839221

Product Dimensions:

6 x 1.4 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

33 customer reviews

Amazon Best Sellers Rank:

#672,894 in Books (See Top 100 in Books)

Another amazing book by Suzanne White. If you think 'The New Astrology' is as simple as being a Sag/Tiger, Cap/Monkey, or an Aquarian/Cat, wait until you read about the elements involved in each sign in 'The New Chinese Astrology'. The presence of fire, water, earth, wood or metal greatly influences each sign and gives readers further insight into their own and others' behavior. A Cat/Rabbit born in the fire year of 1927 and 1987 are much different to a Cat/Rabbit born in a water year of 1903 and 1963. Be sure to know your exact date!

I bought this book here,based on the little preread given to us all.But after I bought it,I realised that I already owned it?What may have happened,as may happen with all whom buysuch a book,is the desire to read the page about yourselfand your loved, and your hated ones.Well, as it happens,I guess I never spent much time at the beginning of the book.Without having to buy the book,you will probably agree,that the beginning is quite riveting!Her life, her own life,and how it came that she would put her own name in thehat to represent a fascinating thing that is Chinese astrologyis very warming.That she not only does this,but also marries the Chinese astrology with that othermajestic way to make some sense of the world and some of her participants,is just hot.Now the first creature to meet the Buddha,the Rat,is no sign to feel embarrassed of being.Reading the beautifully written piece on the Rat is what made me want to buy the whole book again.Never mind,it is on my computer,the other one is in a book.So in my twilight yearsI can make the type bigger,play with the writing in all sorts of ways.Enjoy,I hope that you enjoy the Suzanne White experience as much as I ended up doing.

I have also another book from her, I love it! the personality traits are very good, I checked with some people and everybody felt right on her descriptions.

A combination of the chinese animal zodiac a long with it's corresponding element for the year, this book is a complete aspect of the chinese zodiac. Including chart that shows the animal/element for each year from 2020 all the way back to the early 1500's. Add Suzanne's "The New Astrology" to this one and gain a complete picture of the western zodiac and the corresponding eastern zodiac and its element for that year, making the most out of anybodies birthdate. Apropriate for people who want to get the complete aspect out of their charts. Suzanne White has made excellent contributions to the world of astrology, her books are easy to read and full of well-researched information. For anybody trying to make sense of astrology to the more experienced astrologer, Suzanne White's entire collection is a must own!

The book is clearly biased against some signs. I thought she would be objective. Clearly not. The seller was great and the book came quickly.

Lots of info on Chinese and western signs.

ok

This book was a fun easy to understand book about Chinese Astrology. It took away the mystery behind it and made me chuckle. I would recommend it to anyone curious about Chinese Astrology.

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Minggu, 15 September 2013

Download Ebook Mist, Metal, and Ash (Ink, Iron, and Glass)

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Mist, Metal, and Ash (Ink, Iron, and Glass)

Review

"The alternate-history thrill ride continues... The author is a master of character development... Action and adventure with a fearless heroine at the helm." ―Kirkus ReviewsPRAISE FOR INK, IRON, AND GLASS:“This novel is a source of serious fun.” ―School and Library Journal (starred review)“Exciting and original.” ―Kirkus (starred review)“Clare’s debut is built upon an intriguing premise... A solid series starter featuring a competent, flawed heroine that’s built for sf fans.” ―Booklist“A gasp-worthy ending ensures a sequel.” ― Bulletin of the Center for Children’s Books

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About the Author

Gwendolyn Clare teaches college biology in central Pennsylvania, where she lives with too many cats and never enough books. Her short stories can be found in Fantasy & Science Fiction, Asimov’s, Analog, Clarkesworld, and Beneath Ceaseless Skies. Mist, Metal, and Ash is her second novel.

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Product details

Series: Ink, Iron, and Glass (Book 2)

Hardcover: 336 pages

Publisher: Imprint (February 19, 2019)

Language: English

ISBN-10: 1250112788

ISBN-13: 978-1250112781

Product Dimensions:

5.8 x 1.2 x 8.6 inches

Shipping Weight: 13.9 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#494,475 in Books (See Top 100 in Books)

Mist, Metal, and Ash is the second book in the Ink, Iron, and Glass series. The series is best read in order for the events of book two to make sense.After Leo betrayed his friends and escaped back through the portal with the editbook created by Elsa's mother, Elsa, Porzia, and Faraz are left to pick up the pieces left after the battle they just fought against Riciotti Garibaldi, Leo's father, and Aris, Leo's brother. Together the three friends begin a plan to retrieve the editbook to keep Garibaldi from destroying the world and killing countless people. When the trio finds out Leo is actually on their side, they use his knowledge to enhance their strategy and enlist more help. They use their various gifts of scriptology, mechanical engineering, and alchemy to find the Garibaldis' lair, and thus begins a fight none of them had bargained for.After reading Ink, Iron, and Glass and utterly enjoying it, I couldn't wait to read the sequel. I wasn't disappointed. The unique pairing of fantasy, science, and literature was absolutely fascinating, and I thought it worked out well. The characters were realistic, the descriptions were vivid, and the plot was engaging. One of my favorite characters was Skandar, Faraz's creature. Even though he didn't speak, he was used as comic relief and played a big role in the plot. A big surprise for me was the developing relationship between Porzia and Revan, which I thought was sweet. I didn't agree with some of the views expressed, but other than that I really enjoyed this book. There were some loose ends left untied at the end, so I'm hoping for a book three... I know this duology isn't for everyone, but this unique world will delight those who enjoy fantasy and science fiction. I highly recommend it!I received a complimentary copy of this book from the publisher through NetGalley. A positive review was not required, and all opinions expressed are entirely my own.

This is the sequel to the amazing debut Ink, Iron, and Glass. This series reminds me a lot of the Map Makers series. I find the concept of being able to create worlds out of words is an amazing concept with so much potential. This series does not let you down with its excitement, danger, and plot twists. I love Elsa and what she stands for in using and preserving her gift to create worlds.The ending of the first book was so heart wrenching I just had to get my hands on the second book. What we think we know just is not always the case and we discover that in book two. I love the fact that their no time missing between the books and it picks up right where we left off in book one.This book has two storylines flowing altogether, we have Elsa trying to save Leo. We have Casa the house which has gone insane. Casa the house going all protective on everyone was great as it totally something you can see happening.With the Leo end of the story, we get a lot more in-depth on his character and the whole backstory of his family. How cruel and insane his dad is and what depths his brother will go to be loyal to him. Then their a very interesting twist towards the end that really changes up the whole dynamics. There a lot of nice scenes with steampunk themes and their plenty of world book fun to be had. This is a great series and I highly recommend you check it out. This book is due out February 19, 2019

Title: Mist, Metal, and AshAuthor: Gwendolyn ClareGenre: YA, fantasyRating: 4.0 out of 5In an alternate Italy, Elsa can create new worlds by writing in books. Special writing. Special books. Special talent…and one that puts her in danger when political extremists steal a book that can change the very nature of the world itself.In the wake of a horrific betrayal, Elsa has one goal: track down the book before the extremists can use it to wreak havoc. Getting revenge on her betrayer will be just a bonus. But Elsa doesn’t realize the secrets she’ll encounter along the way, some of which she’s even kept from herself.I love steampunk, but I don’t actively seek it out—I don’t know why. I have not read the first book in this duology, Ink, Iron, and Glass, but I highly recommend doing that, as I spent the first third of the book being highly confused. I ended up loving the world and its nuances: differences from our own, but some similarities, too. There’s a lot of action here, and a bit of romance, but it’s all woven together seamlessly. I like the intrigue with Casa as well.(Galley courtesy of Imprint/Macmillan via Netgalley in exchange for an honest review.)

It is the nineteenth century in Italy and Elsa can create new worlds using script that is written in books. That is a powerful gift and someone has stolen the most powerful of these books – this book can rewrite the Earth. Can Elsa trust someone who betrayed her in order to find the book? What will she discover along the way?Mist, Metal, and Ash is the second book in the Ink, Iron, and Glass series. This alternate history book is full of adventure and a variety of characters. Clare has taken the world she created and has extended the story with flair. Although Goodreads does not have a third book listed, the end will leave readers to believe that more stories will be on their way. Mist, Metal, and Ash was enjoyable but should only be read if readers have finished the first volume.

It took me a little while to get into this book, since I'd just finished a very different one and I had some whiplash. There were a lot of reminders in the first few chapters about what happened in book one, which I personally didn't need because it had only been a handful of months since I finished Ink, Iron, and Glass. I'm sure it will be helpful to some readers.I love the concept of this series, the characters are great, and the set pieces are wonderful -- and all of this is just as true for the second volume as for the first. An M.C. Escher mazebook with dangerous localized gravity? Sign me up! The pacing sometimes seemed rushed, but the storyline was exciting enough to drag me along quite pleasantly once I'd gotten back into it. The conclusion was satisfying and final. A fun quick read!

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Selasa, 20 Agustus 2013

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Product details

Calendar: 26 pages

Publisher: Time Factory (July 1, 2018)

Language: English

ISBN-10: 1683755154

ISBN-13: 978-1683755159

Product Dimensions:

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Shipping Weight: 8 ounces

Average Customer Review:

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Amazon Best Sellers Rank:

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